Maus discusses the complexity of O’Grady’s work in the very
beginning of the reading. Without having seen O’Grady perform, Maus deduced
from documentation of her performances that “The continual internal refraction
in O’Grady’s work forbid assimilation, yet the struggle to come to terms with
the work’s implications—the inability to fix O’Grady’s art in a framework that
is already known—strikes at the core of her major artistic contribution.” (page
185) Maus is speaking to the idea that not only is O’Grady’s work complex
because of differences within it and it’s refusal to conform to artistic
standards, but also because it initiated discourse surrounding art and
art-making. Additionally, she challenged topics in the art world and initiated
discussions of “conservatism and its presumptive avant-gardism.” (page 185)
O’Grady appears to accomplish this throughout her works by creating works that
are difficult to understand and examine, yet have clear messages that shed
light on particular issues, some of which are controversial. I’m curious about
how successful her poems are in producing this type of result. Maus doesn’t go
into great detail examining each artwork so we are left with unanswered
questions. It’s also difficult to understand reactions to the work since Maus
admittedly never saw O’Grady perform. “Calling Halt to the Universe” for
example criticizes contemporary art, yet without more discussion in the
reading, it’s not completely understood. As readers, are we to simply interpret
the works for ourselves based on the information Maus has given or did Maus
perhaps feel that more discussion of the works was not necessary in
understanding the overall theme of the article? Maus, perhaps, felt it was
unnecessary to provide more discussion of the poems because other works, such
as Nerfertiti/Devonia Evangeline required a more detailed description and
analysis. O’Grady’s work is interesting in that it speaks to particular social
issues, specifically involving the art world and it is not easily identifiable
in a particular art category. However, Maus’ description and examination of the
works left a lot of unanswered questions and made me curious as to why he chose
to format his writing in such a way.
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